
“It’s based on that M.C. Escher drawing,” I said. “It’s supposed to be about the creative process.” I showed him the original drawing. I didn’t think M.C. Escher was unknown or obscure and I thought the idea of hands drawing themselves, at an ad agency, wouldn’t be ‘too far out there.’ Since an ad agency came up with Starkist’s “Charley Tuna” (a fish who wants to be eaten), hands that draw themselves and then pop out of the paper and become real seems pretty positive to me.
The studio manager looked puzzled. “Who?” I showed him the drawings of Escher online and told him Escher was very well known and popular. I thought most of the people at the agency would know who M.C. Escher was and I was baffled that he didn’t know who Escher was.
He looked at the drawings without interest and said, “That is weird. I still don’t get it,” and walked away. We continued to photograph cans of beans, rolls of paper towels and packs of tube socks until the studio went out of business a few years later. It’s not as if I didn’t try.
