I’ve been working on E.C. v2. and have a lot of issues/problems bubbling up. I’m not posting them here to ‘design by committee,’ I just thought it might be interesting for some people to see behind the scenes of how I do this.
If you are reading this and don’t know what Exquisite Corpses is: E.C. is a somewhat unusual monster book I published in an abbreviated form via Lulu a few years ago. In 2012 a new and improved version will be published by LotFP. The book has a lot of pictures of monsters divided into three sections (head, body and tail/legs). Each drawing is split along the seams, creating tabs you can flip back and forth to make new hybrid creatures with different heads, bodies and legs/tails. Just by flipping tabs you can create 64,000 different critters. Read more here.
Here is a picture of one of the ‘mock-ups’ (in black and white) of the old edition in use. In the pic I have put a dragon’s head on an insect’s body with a bird’s feet (the newer edition has nicer illustrations and will be in COLOR!):
I have 40 paintings of creatures that I began this year. Each is about 9×12 acrylic; some are better than others. Getting the creatures to fit the format is, at times, a bit difficult. Some animals are pictured rearing up on their hind legs so they can all fit the basic profile. So, basically, it works like this:
Here we took the head of a one legged cyclops creature (I call it a “cyclopskiapod”), the body of a dragon/wyvern creature and the legs/tail of a gargoyle and added them all together to make a new creature with a one-eyed head, dragonny wings and clawed feet and a tail. The book will tell you stuff like the Cyclops head will have poor depth perception, the dragon body can fly and the gargoyle legs can grab and claw with the feet (examples). There will also be more tables that will allow you to add more qualities. You can generate your creatures by picking the parts and powers you want or rolling dice.
Right now I’m struggling to edit the text the way I want it. Each entry has to be unique and after working for a while I get tapped out of ideas, so I keep having to work on it till I am not coming up with good ideas, putting it down, coming back to it, etc. I’m hoping to have the text more or less ‘done’ by the new year.
I’m also having second thoughts about the art and am thinking of revising the paintings in favor of a more graphic presentation like this:
Compare the above armored fiend to the original acrylic painting of the same monster:
Obviously, the old ‘armored fiend v1’ has a wonky left leg that is supposed to look like he is stepping forward (I need to repaint that) and the new version is an ink drawing colored on the computer, but right now I’m grooving a lot more on the more comic-bookish new one than the painterly old one — not just because his legs are better, either — I just like the more graphic ‘look’ of it better right now. But I have to mull it over, and, of course, talk about it with my publisher. But I thought since people have been asking they might like a behind the scenes look.
BTW, an ‘armored fiend’ is a monster of my own creation — it’s basically a fanatical warrior who has had weapons and armor permanently mounted to their flesh. They never give up or surrender and it’s hard to do things like knock their weapon out of their hand because, more often than not, their weapon IS their hand. Like Edward Scissorhands but more medievalish.
I ordered a new Mustek A3 1200 scanner a while ago and it just recently arrived.
There was nothing wrong with my Canon brand scanner other than it’s platen (scanning surface) was too small for most artwork, and, as a result, I had to scan things in pieces and then ‘sew’ them together in Photoshop… which is a time consuming pain. The problem of scanning in pieces is compounded by the fact that you have to keep everything straight… if one of the parts you have scanned is a little off kilter, getting it to match up right is so hard that I discovered it is actually easier to scan the whole thing over again.
The Mustek A3 1200 cost me about $160.00 (I ordered mine from Amazon where the price has also recently gone up (but is still cheaper than Mustek Direct)). The platen is large enough to accommodate a single sheet of ~17×11 inch paper (the size I have been using for my Shaver Comic book). Although the Mustek has a maximum 300 dpi resolution (much lower than the Canon Scanner I had been using), I usually end up reducing to ~63% of original size for reproduction, so the lower dpi of the Mustek becomes irrelevant since, after interpolation down to reproduction size, the Mustek’s scan is still more dpi than I need. For higher resolution scans of photographs and similar items, I’ll still have the Canon, anyway.
Looking at the cost of scanners that can accommodate an a3 size artwork, the Mustek is a bargain. Since it would normally take me at least a half hour to scan and piece together a single page of comic book art using the Canon (and 1/2 and hour assumes nothing goes wrong — other art always takes longer to scan), the Mustek will save me a huge amount of time when you multiply that by many pages. Tests for color and sharpness look fine so far.
This was my x-mas present.
Via shit my dad says:
“Jesus H. You’re a bright kid but you sure like to wear an asshole’s costume every once in a while. It means that the future leaders of your country, I say your ’cause I’ll have long decomposed, are gonna be people that have absolutely no experience with actual confrontation. Thirty years from now the President of the most powerful country in the world is going to be some little shit who sat at his computer and hurled insults three feet away from his mommy’s tit like it was no big deal. I don’t condone fighting, but when a human being understands that his or her actions might result in a giant fist up his or her ass, he or she learns a thing or two about acting before they speak. All I’m saying is, I’m glad I’m going to be dead. Also, happy birthday. That’s why I called.”