Excuse me, sir, but can you fix my glaive guisarme?
Posted: September 30, 2012 Filed under: aldeboran, aldeboran house rules, Dungeons and Dragons, history, ideas, rules, verisimilitude 1 CommentOk, so in the real world I need to fix shit (or hire someone to fix shit) all of the time… or replace shit that has worn out. Pipes leak, shoes wear out, food rots or gets eaten — even this sack of blood and meat I call my body needs the occasional repair. In D&D world, stuff never really seems to break. You can buy that sword at 1st level, and, assuming you don’t hit a rust monster or a black pudding with it, still be using when you are 10th level without ever even having sharpened the damn thing. Of course, by the time they are 10th level, most player will have a pile of magic swords to choose from (unless their DM is a real skin flint), but you get my drift.
I remember in 1st edition AD&D, Gygax suggested you charge player characters x amount per month per level for upkeep (I don’t remember what he called it) and I guess that was supposed to represent hair cuts, getting your boots resoled, the occasional clean shirt or new pair of socks, armor and weapon repairs, etc. I don’t remember ever enforcing that rule (or having it imposed on my character when I was a player), but the Gygaxians will claim that ‘Saint Gary already covered that.’ And I’m not sure that having players deduct 3 silver pieces from their inventory every time they need to get a haircut or their bowstring replaced is going to feel like the ‘stuff of high adventure,’ but since D&D first caught my fancy because it was ‘less abstract’ than other games I had played up until that point, the occasional lack of abstraction within the game can sometimes be jarring or amusing. Greyhawk city is probably chock full of shoe repair shops, but the rules don’t have any accommodation for forcing the players or NPCs to go get their shoes repaired… so how do all of those shoe repair shops stay in business?
Two of my favorite video games, Fallout 3 and Oblivion, have some accommodation for repairs. In both these video games, armor and weapons wear out as you use them… every time an enemy hits you, the degree to which your armor protects you drops a little bit. Every time you use a weapon, it wears a little bit and gets a little less effective. In Oblivion, you can purchase ‘repair hammers’ and use them to repair your weapons or armor (how much they repair it depends on your character’s repair skill, but, bizarrely, these little blacksmith hammers disappear as you use them). As an alternative, you can take your equipment to a blacksmith and they will repair it for a price. In Fallout 3, there are merchants who can repair things for you for a price, or, if you have 2 items of the same type (like 2 laser pistols), you can use 1 item to repair the other, leaving you will 1 item in better shape. The item you used to repair with disappears (and the game makes a little ‘repair’ sound which sometimes sounds like someone tearing off a length of duct tape — which always makes me chuckle). In both games, how high your repair skill is governs how well you can repair. After a while, in both games, I find the ‘repair’ concept gets a little tedious, although I do wonder how my Fallout 3 character takes 4 worn out shotguns and with the click of a mouse creates 1 really good shotgun with no parts left over. Since it’s a computer game, though, you don’t have to track the current condition of your armor and weapons; the computer does it for you. If you had to keep track of that using paper and pencil, it would require too much effort.
And ‘too much effort’ probably describes why I won’t have rules for wear and tear and repair in Aldeboran (although I guess since the combat “fumble” tables I use have a chance for your weapon to break, so there is a chance a player might need to seek out a repair person from time to time). Things needing repair seems pretty mundane — certainly not what I imagine when I say “adventure.”
Love your drawing of the Blemmye! Would you allow me to reproduce it in my course reader, with acknowledgement to you of course. I am a professor of medieval history–I stumbled upon your drawing while looking for images to accompany my Mandeville lecture.