Exquisite Corpses reviewed
Posted: May 17, 2010 Filed under: exquisite corpses, reviews Leave a commentNice review here from Mike Monaco where his 5 year old daughter apparently got some enjoyment out of ‘Exquisite Corpses:”
http://mikemonaco.wordpress.com/2010/05/16/the-dungeon-alphabet-and-exquisite-corpses-as-reviewed-by-my-5-year-old/
As always I’m still flogging Exquisite Corpses:
http://www.lulu.com/product/paperback/exquisite-corpses-a-new-kind-of-monster-manual/10284067
Exquisite Corpses reviewed
Posted: May 17, 2010 Filed under: exquisite corpses, reviews 1 CommentNice review here from Mike Monaco where his 5 year old daughter apparently got some enjoyment out of ‘Exquisite Corpses:”
http://mikemonaco.wordpress.com/2010/05/16/the-dungeon-alphabet-and-exquisite-corpses-as-reviewed-by-my-5-year-old/
As always I’m still flogging Exquisite Corpses:
http://www.lulu.com/product/paperback/exquisite-corpses-a-new-kind-of-monster-manual/10284067
Bestiary Entries (3)
Posted: May 10, 2010 Filed under: creativity, creatures, monsters 1 CommentHere are three unusual creatures which may be of interest to the traveler or fantasy naturalist.
Arrowsnake: Th
e arrowsnake is an unusual snake that has a sharply pointed diamond-shaped head and two small feathery wanes on the tail that resemble the fletching on an arrow.
This unusual snake can be found lurking alongside trails and paths and attacks it’s prey in the most unusual of manners. If a flexible sapling and thicker tree are availible perpendicular to a well traveled portion of the pathway, the arrow snake will hook it’s neck around the sapling and then use it’s tail to hook around the tree and, using the natural springiness of the sapling, draw the sapling back. It can hold this pose for hours or even days. When suitable prey passes along the path, the snake releases hold on the tree and straightens its body, using the sapling as a catapult to hurl itself forward like an arrow, and, if it’s aim is true, piercing the target. The arrowsnake has also been known to select a pliable branch, grip that in it’s teeth, prop the branch between two trees and use a third tree and it’s tail to draw back the branch like a bow; when prey passes it’s hiding place, the arrowsnake releases it’s hold on the rearmost tree and pierces it’s pray with the considerable forward momentum obtained in this manner.
Unlucky or nearsighted arrowsnakes who miss their targets have been known to embed their own heads in trees where they can easily be dispatched or left to starve. In any case, the canny or ethically challenged traveler will often insist that a companion proceed them on the
woodland trail if arrowsnakes are suspected.
Cautious travelers will wear a rather bizarre looking (but effective) protection in the form of a large ‘sandwich board’ costume.

Closet Sloth: The closet sloth is a temperamental and anti-social creature about which very little is known. How it ends up in closets among the seldom worn garments is not understood, but if disturbed it reacts with violence. These creatures may hang for weeks or even months in the backs of seldom visited closets and will normally be content to remain hanging, attempting to be mistaken for a moth eaten fur coat of obsolete style and low quality.
They enjoy the smell of mothballs and prefer darkness.
If a shabby fur coat should suddenly appear in your closet, best to just leave it alone. This writer would suggest you simply avoid the closet altogether and purchase a new coat or jacket which you can store by hanging over the back of a chair or banister until you are certain that the closet sloth has moved on.
Peccadillo: The peccadillo is an armadillo/chicken hybrid which will roll itself into an armored ball if offended. Although repulsive in appearance, the peccadillo is not particularly aggressive or dangerous.
Albert Fish (2007): Film by John Borowski
Posted: May 3, 2010 Filed under: crime, monsters, movies 1 Comment
I watched “Albert Fish,” a film by John Borowski about the American cannibal and serial killer (upon whom characters like Hannibal Lecter of “Silence of the Lambs” are supposedly based).
Albert Fish (1870-1936) was a traveling house painter who claimed to have killed and/or molested children in every US state after he was caught. He was sentenced to death and executed in the electric chair for the murder of a young girl, Grace Budd, in 1928. The exact extent of his crimes are not known.
The film uses documentary film clips (many of which, based on my observation of the vehicles, are actually from the 1940s and 1950s rather than Fish’s era), photographs, interviews and re-enactments of portions of Fish’s crimes as well as dramatizations of visions that Fish claims to have (or might have had). Since Fish was into some pretty sick stuff (coprophilia, urophilia, pedophilia and masochism), these clips are thankfully less than explicit, but the production value of the film is on the low end. Other than some scenes like closeups of a whip hitting a boy’s buttocks, some fake blood and the actor who portrayed Fish drinking blood and eating a piece of what looks like raw flesh from the arm of an actor portraying Jesus Christ (a dramatization of the theme of one of Fish’s religious fascinations that may have led to his cannibalism), the visual content of the film is not overly strong, but the storys told and the letters from Fish, in which he describes his crimes are pretty gruesome.
The film features some interviews with Katherine Ramsland who speaks at some length as to what she thinks might have motivated Albert Fish to commit these crimes. Ramsland is apparently a ‘true crime’ author and a writer of books and articles on the supernatural. I found it humorous that as she was interviewed, I could see a shelf of books over her shoulder upon which, prominently displayed, was “The Complete Idiot’s Guide to Criminal Investigation.” Seeing that book did not make me find her arguements more persuasive.
Moloch: Now thats what I am talking about!
Posted: May 2, 2010 Filed under: creativity, Dero, ideas, inspiration, movies 2 Comments
The above is a still image from Fritz Lang’s 1927 dystopian sci-fi film, Metropolis. Freder, hero of the film (and son of Master of the city) has a vision in which the machine that the workers tend become an idol to which the workers are sacrificed.
Moloch is (or was) a god who was worshipped by the ancient Hebrews (among others) and apparently demanded costly sacrifices. Apparently there are references in the Bible that suggest that children were sacrificed to Moloch by burning them. Moloch is sometimes described as a metal idol in the form of a man with a bull’s head which doubles as a furnace.
It’s been decades since I have sat down to watch Metropolis. Although the actors performances are pretty weird by today’s standards (there is a lot of over-the-top grimacing and pointing and gesturing and everyone wears makeup, including some pretty outrageous eyebrows as I recall), the sets and special effects really are like expressionist paintings come to life… and I remember one somewhat (unintentionally) comical scene in which an engineer who tends the machines beneath the city attempts to ward off a mob by swinging an obviously rubber wrench (it flops and bends like a massive rubber dildo). Great inspiration for settings and images, though — the picture above needs to be the setting for some sort of dero sacrificial rite…
It’s probably difficult for us to understand how radical the film might have been — in the 1920s in both the US and Germany, striking workers could count on being sent back to work by force and their strike leaders killed or arrested. Many were in virtual debt slavery while a tiny minority of the extremely wealthy lived lives of unbelievable decadence (the Weimar era parties in Berlin were famous for fountains that flowed champagne, orgies, sexual slavery, all-you-can-snort cocaine buffets and other examples of ‘off the hook’ conspicuous consumption that apparently make Dennis Kozlowski look like an amateur). All this while the working class were struggling to keep living at a level just above starvation. One of the consequences, unfortunately, is that when the socialists and police began battling in the streets for control, the fearful populace sprang right into the arms of the Fascists… but that’s a story for another time.
More painting; V2 for Exquisite Corpses
Posted: March 26, 2010 Filed under: art, creativity, exquisite corpses, project, publishing 2 CommentsI decided to rework the proposed cover of Exquisite Corpses (I’m a one man band, so these things take time) but have been unable to spare much time to paint (job hunt, playing games, a re-tile project at home and other stuff), even though I am eager to get this thing going. I discovered that I enjoy seeing paintings “coming along”and have a vague idea that by periodically photographing stuff as I work on it, I can learn more from comparing previous versions with the current state of the illustration. Here is the same painting after around 2 or so hours of work and again after hours 3 or 4.
I’ve really been into 1930s-1950s ‘pulp crime’, horror and sci-fi mag covers for a while now. This is supposed to be a wrap around cover, so the left side will be the front cover and the right side will be the back (hence dead space at the top for title, etc.). The woman’s costume is intended to look equally at home in Flash Gordon’s universe or Hyboria… a snake man coils around her leg and various other beasties loom in the back, gathered around a fire. I intend to add more monsters back there. The pink fleshy cyclops slug with wings and a big tongue turned out pretty good I think.
I’m pretty fond of it thus far and think it promises to be much better than the first version (see earlier posts like this one). I like the pose of the woman much more and I think it will make more sense to the viewer what is going on.
I hope to be able to put in some time on it next week; between having guests over this weekend and 100 other things, I am pretty busy right now.
Green Slime
Posted: March 24, 2010 Filed under: monsters, movies Leave a commentThe good thing about Green Slime is that it has its own theme song:
And the poster is pretty snazzy too:
I think if I run another game, green slime is going to need a serious work over.
Proofing Exquisite Corpses Version #1
Posted: March 23, 2010 Filed under: exquisite corpses, project, publishing Leave a commentI finally got a ‘proof’ copy of my new book, Exquisite Corpses, from Lulu last Saturday. Recently I managed to prepare and proof the book and look at things I might change.
This is not final art, but I placed an image from my portfolio on the cover. The final will probably have color art (we are still working on that).
The book is a monster manual in the same vein as Raggi’s ‘Random Esoteric Monster Generator.’ Each page consists of an image that is divided into three tabs (head, torso and legs or tail). If you slit or cut each page along the dotted lines, you can mix and match the tabs to create weird and goofy ‘combination’ creatures. There are 26 basic creatures, so, by my math, that makes for ~17,000 possible combinations. In addition, there are some tables in the back that will allow you to add more qualities or flaws to your critters (bigger, smaller, laser beams, etc.). The ‘coil’ binding allows the tabs to move freely without falling out.
You can use a razor knife and straight edge to slip the pages into tabs. Note that I have placed a sheet of waste cardboard under the last page I want to slit so I don’t cut the pages behind it.

Here are the tabs being flipped to create a monster:

The first proof is about 95% successful (one of the monsters failed to line up properly with the rest of the pages; I haven’t been able to figure out if that is my problem or Lulu’s). Once I get these few details ironed out and a second proof, I hope to be able to offer it via Lulu to all interested buyers. The only catch is that you have to cut the pages yourself.



