"The Evil Underground" Chapter One
Posted: November 6, 2010 Filed under: comics, project, publishing, Shaver 4 CommentsI’ve been interested in Richard S. Shaver, an artist, author and fascinating part of American popular culture for a while now (link to my blog entries on Shaver). Some time ago, I decided to attempt to draw a comic book about Richard Shaver’s life, his work, his art and his unusual ideas. I’ve presented the first three pages of this effort below; I’ve decided to try to tell the story out of chronological order, trying to touch on what I see as some of the important moments.
Until his death in 1975, Richard Shaver insisted that everything he described (which many would dismiss as paranoid delusion) were the absolute truth. The first chapter in the comic deals with the story of how a mysterious woman named ‘Nydia’ befriended Richard while he was in prison and, through mysterious methods, engineered his release. Subsequent chapters will deal with other events from Shaver’s life.
As author and artist, I don’t consider it my duty to tease fact from fiction or to try to debunk Shaver’s stories. There is no search for an objective truth here. I’m going to try to tell the majority of stories of Shaver’s life as he told them with occasional references to dates and places as needed. I am exploring my own fascination with the interesting body of work that Shaver left behind and the very compelling story of his own life (and the life of the planet and her people) that he told.
There is, of course, going to be a lot more that the three pages below (click on the images to see an enlargement). When I get further I will be interested in attempting to place the book with a publisher (although finding a publisher interested in publishing black and white comic book bios of outsider artists might be tricky).


The Last Episode of "He-Man"
Posted: August 18, 2010 Filed under: art, comics, He-Man 1 Comment
I was gonna write something moving and important today — maybe about Dr. Laura Schlessinger’s current “race relations” dilemma … or the cynical maneuverings of the US Republican party on the NYC mosque issue… or the cowardice of the US Democratic Party on the same issue… and then I just said, “Fuck it,” and decided to post this picture of how I think “He-Man and The Masters of the Universe” should have ended.
I wasn’t a fan when He-Man was on TV (being a little too old for it), but, in retrospect wonder how many of the creators of this show were chuckling behind their hands as they had the effeminate “Prince Adam” secretly save the universe every episode as his butch alter-ego, He-Man. The name, ‘He-Man,’ was especially funny because becoming a ‘He-Man’ was the goal for Charles Atlas’s skinny 90 po
und weakling, Mac, who was sick of having bullies kick sand in his face. They were still running that same ad (which looks like it dates back to WW II) in comic books when I was a kid.
As I recall, He-Man stories were cribbed, plot wise, from the old Superman cartoons. Prince Adam and Teela, his female companion, are confronted by some horrible plot or disaster or villain. Price Adam then runs away in fear and secretly transforms into He-Man. The hero sets things right, earning the gratitude of Teela and the population who never suspect that He-Man and Prince Adam are one in the same even though they look exactly alike except for clothing and hairstyle. The danger averted, the hero departs, changes back into Prince Adam and comes back and asks what he missed. Teela then tells Prince Adam that he is a loser and wonders aloud why he can’t be more like He-Man. Prince Adam then breaks the fourth wall of cinema by winking at the viewer and making some self-depreciating joke while Teela rolls her eyes. Substitute Clark Kent for Prince Adam, Lois Lane for Teela and the cartoon is a direct ripoff of the Superman cartoons I watched in the late 1970s.
The Mole People
Posted: August 9, 2010 Filed under: comics, Mole People, Shaver, underground 3 Comments
A number of years ago I was staying with friends in Brooklyn — I was looking for something to read and I found a book called “The Mole People” on the shelf. It was a real page burner — I think I read the whole thing in one night. The author, Jennifer Toth, claimed that there were thousands of people living beneath the city of NYC in old subway tunnels, access tunnels, sewers, etc., and human habitation went up to seven levels below ground. These people were mostly hermits and the homeless, but Toth also claimed that there were some who never (or rarely) came out and had descended into a state of madness that included acts of cannibalism.
(The image above left is from the 1956 film, “The Mole People,” which has nothing to do with Toth’s book. “The Mole People” movie featured Hugh Beaumont, who I think was also the dad on “Leave it To Beaver.” The image below right is, of course, a drawing of “The Mole Man” by Jack Kirby.)
Although the book was criticized for being short on evidence and long on sensationalism, there was a brief period of time during which the book was flying off the shelves — I think people were enjoying it the same way they enjoyed a good horror film… and perhaps it was fun to imagine cannibals and genetic throwbacks living a brutish existence beneath your feet for many New Yorkers at the time.
The concept of life
underground has always fascinated me. Back when I was in Gradeschool, I and my friend Eric Piccione used to draw our own comic books for our mutual amusement. One of my favorite characters was Jack Kirby’s “Mole Man” villain. He had been human but was so ugly that human society rejected him, so he set off to explore the farthest reaches of the earth since human kindness was denied to him. He eventually found his way underground, where a race of bald yellow dwarfs with bad eyesight followed him. His eyesight degenerated but his hearing and other senses became extremely sharp; the Mole Man and his minions were always using fiendish traps like pits that opened beneath your feet or boulders that fell from above to kill those who would intrude or interfere with the plots for revenge against the surface dwellers. He and his followers were blind in daylight and had to wear special glasses, like an eskimo’s snow goggles, in even the dimmest light, but to gain advantage they would simply shut off the lights. I liked Kirby’s mole people so much, I ripped them off for my own comic books — calling them “Grobes” and giving them some sparse hair. Like Kirby’s mole men, my Grobes would work with ant-like fervor beneath the ground, undermining the structures of the surface dwellers until they collapsed. Or something like that. I can’t remember. I think there are still some copies of my old comics in the attic back in my parent’s house in St. Louis.
There was also a 1951 Movie called “Superman and The Mole Men” (which I have never seen), and, one of my favorite beer-and-popcorn films, Marebito (based on the works of one of my heroes, Richard S. Shaver) with ‘Dero’ instead of mole people.
